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The Da Vinci Code is a novel written by American author DanBrown. The book was first published in 2003 by Bantam Press. It is Brown’s second novel, and follows on from Angels & Demons. Brown uses Leonardo da Vinci as the protagonist of the story and intertwines his real life with the fictional main character, Robert Langdon. In doing so, Brown manages to reveal many things about the life and works of the famous Italian Renaissance artist, to the extent that the author’s book has become the subject of widespread academic debate.
The novel is written in the third person present tense and is divided into three main sections, which are: The Religion, The Ritual and The Legacy. In the novel, Brown explores the main theme of symbols and the occult. He states that the main motivation of the novel is to challenge the readers’ faith in the common view of history. Although a mystery is involved, the novel is a story, unlike a mystery, which tells a story, revealing facts about a puzzle, not speculation or opinion. The novel is a fictional retelling of real historical events. Brown gives the historical context of the events and then transforms them, adding his own fictional interpretation to them. It is a genuine recreation of what may have happened, which accounts for some of the historical accuracy. Brown has reinterpreted significant and often misunderstood historical events, exploring them from a modern viewpoint. He shows that the origins of Christianity can be traced to Mithras, a pre-Christian secret society which contributed to the religion and left many powerful symbols which survive today. More emphasis is placed on symbols than on the historical events themselves. The novel uses subtle comparison and symbolism in portraying the events of the Inquisition, Leonardo’s involvement with the Templars and his great knowledge of the rituals of Freemasonry. It is widely accepted that Brown has combined several real events and people, blending them together in a novel and creating a fictional world. However, it is less certain that he has deliberately combined several versions of the truth, creating a fictional world consistent with a series of events that might have taken place, but probably have not. By using the symbols of Christianity, the history of the Knights Templar and the life of Leonardo Da Vinci, he has rewritten history, completing the myth of a hidden society that exists but is too powerful to reveal. Such group would have included the knights Templar, the Freemasons, the Knights of St. John, Opus Dei and the Illuminati, as well as other figures that Brown has created in his novel. Brown’s use of symbols in the novel is astonishing. In his description of the Knights Templar, he creates the legend of the Holy Grail which becomes the focal point for the novel, particularly in chapter 25. On page 705 of the paperback edition, he says that the legend of the Holy Grail is found in a number of the oldest religions, which is true. However, the symbols may not be the same. In his description of it, he uses several symbols from a number of religions, implying a myth which has many parts and has existed for a long time. Brown also describes the rituals of Freemasonry and the Illuminati, both of which have historical roots. He has rewritten the history of these organizations in his novel, making them similar to the fictional Templar Order.
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